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I began this blog in order to share my experiences learning instrument building from my dad, but along with those stories I look forward to sharing my memories of growing up with two busy, musically inclined parents as well as my current experiences stepping out on my own as a female luthier promoting environmental sustainability in her instruments while working to alter gender stereotypes in a male dominated field. If you'd like to use quotes from this blog for interviews or in your own work, please contact me first! (email is henderson.elizabethj@gmail.com)

Monday, December 7, 2015

Thankful

There are so many things in my life for which I am incredibly thankful. One of those things is that my dad has bestowed upon me the knowledge and ability to make beautiful hand crafted guitars that people want so badly they are willing to wait several years for me to make them one. I can't believe that is the case, and because of that each instrument is as unique of each person ordering one. My most recent projects were no different, however, there was a bit of a setback that required me to remember how thankful I am for my dad. Even though he caused it.

A week or so ago I finished two guitars, both 000-18s, in record time. I worked on my own, made no mistakes I had to go back and fix, and didn't feel the need to ask my dad for help or review after completing difficult elements.  Not even when fitting the dovetail joint on the neck into the guitar body which is usually a challenge for me as there is no cheating that angle, no option of covering it with an artistic flourish. All in all, the guitars took 14 days, though had my dad not 'helped' they likely would have taken 12 days.

Seven coats of finish had been sprayed on each guitar body and each neck, everything had been buffed out and sported a glossy sheen. All that left to be done before stringing the guitar was frets, which in hindsight, I should have pressed into the fingerboards before I started the finishing process. The reason I didn't was because I wanted to be sure the fingerboard was at the perfect angle after all was said and done so I waited until I was ready to glue in the neck.

My dad and I work on different schedules. I get out to the shop and start working by about 7:30 am, and work until 6 or 7 in the evening. My dad comes in around noon, and works until 3 am. I walked into the shop that morning, bright eyed and bushy tailed, ready to get on the task of fretting the fingerboard. If I finished that by noon, I knew would likely get these two guitars strung up that evening. I walked over to the table where I had left the necks the night before and stood staring at the table for a few minutes. Have you ever had that feeling where you know what you are supposed to be seeing, but the view just doesn't measure up? Like the first time you see a picture of a Platypus. Something's not quite right. Sitting on the granite table was my shiny neck, cut lengthwise down the entire neck, my peghead veneer clamped to an unfinished neck blank.
Sometimes I think of my dad like Santa because occasionally, when I am having a particularly tough time with something, I will give up for the night and go to bed. When I head back out to the shop in the morning the element that had caused me stress will be sitting there finished. This is what I assumed had happened the night before, only this time I was surprised with coal instead of a present. There was a note. It read, "Sorry about your neck. I was trying to be helpful and put in your frets. The fret squeezer pushed into the truss rod [groove]." I read through it a couple of times while I processed this information and though it made me sad that I had a pretty serious setback on my hands, I was mainly concerned that my dad probably felt really bad about breaking my neck. I knew it had to have been my fault if the groove cracked inward like that. After digging the truss rod out of the old neck it turns out the groove was deeper than where the rod sat which surely caused the neck to crack when pressure from the fret squeezer was applied. Sometimes weird things just happen. One thing I have learned from my dad is that there is not much use to get mad, just start a new one. We had a new neck made in record time and I only ended up losing a day or so anyway. The two guitars turned out sounding clean and bright and looked beautiful. It always warms my heart to see my clients love what I make for them and these two guitars did not disappoint.

Vintage lettering like my dad's #52.





White oak back and sides, Carpathian spruce top

Me and Jim
Me and Emory
Finally, I want to take a little side bar and share how thankful I am for all of the teachers I have had in my life. Well, most anyway. The best part is that they have done so much more than teach me their respective subjects, they have taught me lessons of life in general and, indirectly, how to successfully operate a small business. I remember thinking in math class in high school, as I sat in those small salmon colored desks with the table attached for right handed people thinking, "I am never going to need this information right here, let's get to art class." But every time I fit a neck, cut fret grooves, or glue and shave braces I think of my high school math teachers Laura Roarke and Beth Derringer. They championed for me to succeed in math even though I despised most of it and for their unwavering encouragement I am so thankful. I guess my point with this last thought is that while you might not be able to see it while you're in it, be thankful for the people who teach you things, even if they break your guitar neck and make you start over. There's always a positive lesson in there somewhere.





Tuesday, October 27, 2015

No Dancing, Pt 1

Do you like to dance? I do, sometimes. Every now and again the mood strikes me and I just gotta dance. The right song pops up on my ipod when I am alone in the shop and after I secure the piece of binding I am currently gluing to a guitar body I will go to town, simply enjoying the music and expressing my happiness. Happiness that I am here, doing a job I love, and that I am getting to make something neat that someone will cherish when it is finished. Then my dad walks in and I pretend I was just taking an innocent walk around the workbench I never use...Where was that tape we use for holding binding as it dries? I thought I had seen a new roll sitting on this corner over here...

When I was young, I read everything. Anything I could see that had a word on it was fair game. I would sound the words out in my head and proudly announce them to anyone near enough to listen. One of the first signs I distinctly recall reading was hanging in the Rugby Rescue Squad building. When the community would have a gathering, they would drive all of the emergency vehicles out of their garage bays and set up rows of tables in their place. The ladies cooked all day and brought trays of food: chicken and dumplings, barbecued pork, bowls piled with green beans and collard greens plucked from their gardens that morning and simmered in pork fat all day. Banana pudding, strawberry layer cakes, peach pies with flaky buttery crusts. A murphy bed style stage covered in brown astroturf-type carpeting was pulled down and microphones set upon it. My dad and other local musicians played music during the festivities. Hanging just to the right of the stage was a handwritten sign, always hanging slightly askew, that proclaimed "No Dancing". 

I remember asking my dad why no one was permitted to dance along with the music, as I was pretty much an expert flat-footer at the age of 6 and couldn't wait to show off my amazing moves. Most especially the one I had just learned where I would bend my knee and hold my foot out behind me and frantically twirl it in a circle in hopes the rotations were in time to the beat. When you're six years old and dancing in front of a crowd of adults, that's the money move right there. After some research, YouTube has just informed me that the move is called the Haywheeler. I have attached a simplified version I found if you want to practice it yourself. Make sure to move knee-height valuables and check the whereabouts of your kids and pets first. 



My dad told me that dancing wasn't allowed because the local religious leaders said dancing was a sin and that it was an expression of the devil. I remember thinking that seemed a bit farfetched to me as I enjoyed dancing to express happiness and it didn't seem to hurt anyone, but I was petrified to upset anyone or get in trouble, so abided by the rule. I found subtle ways to dance around the injunction a bit though (see what I did there?), bouncing on the seat of my aluminum folding chair while my dad played his guitar from the stage, and always adding extra pep to my steps as I circled around the cake walk. 

I feel like the Dixie Chicks said it best, because Some days you gotta dance/Live it up when you get the chance/'Cause when the world doesn't make no sense/And you're feeling just a little too tense/Gotta loosen up those chains and dance!

Next time I will tell you about how a prominent member of the community, Kate Tucker, defied the No Dancing rule, and got the last laugh. 







Saturday, October 3, 2015

Reduce, Reuse, Recycle!

I have sort of an odd confession: I really, really like tin foil. I don't use it that often because I read somewhere that using aluminum with food products can give you Alzheimers, but on those occasions I feel it is necessary, I excitedly pull out the box. I always try to keep the sheet as smooth as possible when pulling it from the roll. I carefully slice it along the box's serrated edge, ideally without snagging the sheet and causing a wrinkle. I think there is something incredibly clean and fresh about a newly unrolled piece of tin foil that I simply can't get over. Maybe though, my love for new tin foil stems from memories of my youth. Staying with Granny, I was rarely allowed to pull a fresh length of foil from the roll and rather I was asked to take the crumpled piece waiting primly on the oak buffet to be reused.

My Granny saved everything for reuse. And, really, I mean everything. Aluminum can tops, wrapping paper, pickle jars, and the pickle juice...and always tin foil. I remember trying to press the wrinkles out of the foil with my fingers, and after what felt like hours of work, it still never flattened to the consistency of that fresh piece. She would also cut up my dad's glue stained jeans and make pot holders from them, make shirts from cloth feed bags, and quilts from old shirts and threadbare pillowcases.

While I begrudged reusing such products, especially the tin foil, I am thankful to Granny for showing me to better appreciate the seemingly insignificant items we apathetically consume each day. Actions such as hers help in turn to reduce waste which I have now learned, after paying a lot of money for an environmental law and policy degree, is exceptionally important to the health of our environment. I am also thankful that her example has taught me that just because we may have a new roll of tin foil, it is not necessary to use it if you have a perfectly good piece that still does the job.


The other day someone brought me a Red spruce top that was too small for large body guitars, and after sanding it down, I saw that its color wasn't perfectly uniform across the surface. Some folks might see these characteristics as flaws, but I don't. This top is special in its own right, and because a three hundred year old tree was cut to produce this set of wood, I feel that it deserves to be appreciated and used. The grain within the wood is tight and the board is stiff, which my dad taught me are ideal characteristics for a top that will produce great sound.

I decided that a perfect use for this set of top wood would be for a Nick Lucas guitar because its significant sunburst will cover the color differences on the edges of the top. I have paired the top with an incredibly flamed set of maple back and sides, who's curl will be amplified by the stain that will be sprayed on it. I can't wait to finish this instrument, and just wanted to tell you how special the wood in it is to me. I like to think my Granny would be proud that I appreciate and use every set of wood I have and am able to see potential and beauty in something that perhaps not everyone would.

 Don't overlook something just because it isn't perfect. Sometimes you can still make something amazing with it.





Friday, September 4, 2015

Granny's Garden

As summer is winding down here in the North Carolina mountains I can't help but think of the vast harvest of my Granny's garden. When I was young, as my dad pulled the car down into her drive, I would typically see my Granny bent over, tending to a vine filled with vegetables. That memory brings the nostalgia flooding in. Picking late summer tomatoes, finding the perfect squash, and pulling the dry husk from a cob crowded with golden corn kernels is only a snippet of what I remember from those times spent in the patch of tilled earth lining the long drive in front of her house.

I wish I had appreciated it more then, and had known better than take it for granted, but Granny worked for all of the food she provided for me. When I requested a snack at her house I wasn't offered a shiny, crinkly bag of chips as I would have preferred, but instead I ate crisp leaves of lettuce resting in a bit of vinegar, bumpy cucumbers sliced into spears that she sprinkled with salt, and juicy tomatoes to accompany buttery biscuits. I would give almost anything to be able to sit on the porch right now with a plate of salted cucumbers and look up to see my Granny in her garden.

Granny Ollie
My dad told me a story once about Granny Ollie (Granny's mom) in her garden. He said she had patience that most everyone else lacked and was able to keep moles out of her garden when most neighbors were not able to do so. Catching moles digging in the garden is a feat as if you walk within ten feet of them they will feel the vibrations of the ground and will immediately stop digging and will hide. No mole was going to outsmart Granny Ollie though. She would stand out in the garden and wait until one dug nearby. Once she used this practice in my Granny's garden. She was likely in her seventies, perhaps even early eighties, at the time she came to help with the moles but she still stood as motionless as ever, with the Henderson family's 16 gauge single barrel shotgun poised for action. After standing silently for several hours, BANG! off went the shotgun, shooting a cloud of dust about ten feet high, completely engulfing Granny Ollie. When the dust cleared, there was a foot wide hole in the soil directly between her feet that contained what was left of the mole. She gathered the pieces to show the other moles they had better watch out. Sometimes I don't understand my family, as it seems their main concern is eliminating the pest rather than considering they might hit something important. Like that time my dad saw a mouse jump into the grill of his car and his reaction was to shoot at his car with ratshot. "I got him though!" was his response when I asked him to repeat the part where he shot a gun toward his own car.

If I had to guess, my dad's three favorite things to eat are watermelon, biscuits and gravy, and a ripe tomato minutes from being picked from the vine. When he was growing up he said his favorite time was late summer when the tomatoes were still abundant and the pumpkins were ready for picking. Granny would roast the pumpkin, scoop out the inside, and whip it to the consistency of mashed potatoes. She would serve the pumpkin with freshly baked biscuits and sliced tomatoes. My dad said that was one of his favorite meals. Growing up I don't recall there being a day in summer and early fall when a bowl of sliced tomatoes didn't rest in the center of the round oak dinner table, covered with a scrap of cloth between mealtimes.

It isn't just the memories of delicious food from Granny's garden that I am thankful for. Through that garden I was taught to appreciate the importance of where my food comes from and the hard work that is put behind cultivating it. Granny would hand me a bunch green beans and I would sit on the porch swing snapping the ends from each bean and dropping them into a bowl of cool water to be boiled for Sunday dinner. She taught me to pull the dry husks from golden cobs of corn, taking extra care to remove all the silk from between the kernels. I learned to step carefully over seedlings and that spreading ash from the wood stove over potatoes would keep bugs from eating them. I like to think because I was shown that there is such work behind our food, spending an hour making my own pasta or making pie crust for a lattice pie is invigorating rather than something too time consuming to try. And cutting a tedious design from pieces of pearl will yield far more satisfaction when I am finished than the difficulty it took to cut it.


Thursday, August 20, 2015

Alaska

The things I have to do for work. Last week I used the excuse that I had two ukulele orders from folks who lived in Alaska to fly up and visit one of my all time favorite places. Of course I needed a helper to carry on one of the ukuleles so I enlisted my husband Nick to fill that job. We drove to Charlotte, reluctantly subjected my beloved instruments to the x-ray machine and TSA scrutiny, stuffed them into the overhead bin and were off to Alaska.

Not super happy about the rain.
Our first stop was Juneau, the great town in which I had worked and lived for two summers during undergrad. First as a kayak guide, then for a glacier guiding company. The trip got off to a bit of a rocky start (foresight pun, get ready), as while Nick and I were hiking along the west edge of the Mendenhall Glacier to check out the amazing ice caves, I slipped on the steep, rain soaked bedrock (see what I did there?) and somehow managed to rip a nickel sized hole in my palm and several small but deep cuts in my pinky finger. We chose to walk the two miles back to the car since I didn't have anything besides my other hand to hold my new bloody skin flap shut and I knew the hike would become more dangerous and steep as we advanced toward the edge of the glacier. I hiked out feeling sad and dejected. Seeing the incredibly blue ice caves was one of the most awesome and rewarding things I did while I was living in Juneau.

We had high hopes for a more exciting and fun second day, but the rain was relentless, and continued throughout our stay. That second morning Nick wanted to go for a run, so I took him to a flat marshy trail by the airport that runs along the float plane runway (a little lake type thing with docks placed every few feet) then opens into marshland along the Mendenhall river, where the runoff from the glacier makes its way to the ocean. I decided I wasn't in the mood to run, so I meandered down a smaller trail that wound to a point out by the river. The salmon were spawning and it is always exciting, and a bit sad, to watch them fighting their way up the stream. This time of year salmon carcasses line the shore and make for a serious stench.

In the distance toward the water I saw what I thought to be a person in a large coat (I didn't have my glasses on) scanning the marshy grassland, then bending down as if to clip a dog to a leash or something, then standing up and looking around again as if they were a lighthouse having to shed light across the entire area. As I walked along my little path I noticed the person kept doing this, and, while a little confused I didn't pay them much mind. I figured I would see what they were doing as my path lead back up to the larger trail. It looked as though it would intersect with theirs in a hundred feet or so. I then realized that it wasn't a person doing toe-touches in the middle of the marsh, but rather it was a black bear searching for salmon to eat. Eff. I didn't want to continue along my little path since it took me right by the bear, so I turned and swiftly walked (calmly, kind of) through the grass toward the closet spot on the big trail where more folks were exercising. The problem with this plan, I quickly discovered, was that the ground was getting mushier and the grass was getting higher and higher. At first the fronds brushed my waist, and many were knocked down no doubt by bears walking through, but now the grass stood as high as my chest, with my XtraTuf boots splashing through foot-deep puddles, the bottom of which I couldn't see. I thought, which is worse: hanging out by a bear or getting stuck in some kind of Alaskan quicksand in grass so deep no one could see me as I was consumed by the bushes? I managed to power through my panic and scrambled up the bank, trying to calm my racing heartbeat. A fresh blister rubbed into the back of my heel because I hadn't packed enough tall socks, I decided it was time to go sit in the car to wait there for Nick to finish his run.

The third day in Juneau I was able to deliver my Brazilian rosewood ukulele with Alaskan star inlay to its owner. While still impeded by a day of heavy rain, I didn't hurt myself or offend any wildlife so I considered it a good day. Joel met us at Northstar Trekking, the glacier guiding company I used to work for and for whom he is now in charge of helicopter safety. It was neat to show Nick where I worked, and hang out with some of the folks I knew from seven years ago. One bittersweet thing in particular. Mike, one of the helicopter mechanics that I remembered from my time at Northstar was working in the hangar and his awesome dog Pilot sat overseeing the mechanic work. After hanging out with Pilot a while, I was struck by a memory. On one of my last days working that summer, Mike got a new puppy and brought him in to work a couple of those days. I remember playing with him every time I saw his adorable face and even took a picture one day before getting back to work. So now I have that picture along with this one I took with 7 year old Pilot.















Aside from the nostalgia, I am also grateful that I got to know Joel a bit, as he is kind of a badass and even more importantly, just a really great guy. He has an infectious positive energy and obvious love for his job which always makes me happy to see. He let us check out the Northstar helicopters, sharing bits of behind the scenes information, letting us in on some fancy lingo, and eagerly snapping pictures of us pretending to be pilots.

Being that Joel is a helicopter pilot, and an awesome guy, he flew down to help fight the fires currently raging in Idaho. Given the dangerous circumstances of such an endeavor that worries me but I so admire his dedication to his job and appreciate his service. His ukulele, which he named Aurora (couldn't have picked a better one myself), made the trip with him, hopefully providing a little bit of stress relief and happiness to these busy days.


As I have said many times, watching someone open the case and see the instrument I have made for them is one of my all time favorite parts of the job and this time was a great one. It makes my heart swell to see that I have made someone happy with my work, and that their expectations have been exceeded in ways they didn't realize they could be. Now, I know this won't always be the case, but on those times when it is, I want to reiterate how truly honored I am to have been able to play a tiny part in my client's lives.

On our final day in Juneau the clouds eventually gave up and parted enough for us to get to go for a helicopter ride and glacier trek on the Mendenhall. I was so excited to be able to get that close range view I had planned for our first day. Finally, Nick could see why I love this place so much; the majesty of the mountains, the intensity of the landscape, the unparalleled beauty of a glacier ice.





After downing our last two Alaskan Ambers since we didn't have any room in our checked bag, we hopped on a plane heading for Anchorage to deliver the second ukulele. My friend Randy met us at the airport and took us straight to a pizza and beer establishment called Moose's Tooth. He knows me pretty well I guess. I have known Randy just about as many years as I have been alive, and I remember being baffled when he up and moved to Alaska after living in North Carolina his whole life. Turns out his wife Rebecca, whom he had recently married, had worked in Anchorage previously and had just been offered her old job so off they went. I am so glad Randy found such a great partner. While we hung out at their house, my favorite thing was watching how well they complemented each other. They are so supportive of one another's interests and it just makes me glad to know Randy is truly happy living in the Great White North.

Photo courtesy Randy Pasley
The ukulele I made for Rebecca mirrors the guitar my dad made for her some years ago, and both have an eight point star quilt square on the peghead. I think it is fitting that the star symbolizes deep family bonds for Rebecca. It was a great honor for me to see how the ukulele I built would fit into their family. To me instruments are just as important as living beings, providing their versions of happiness and love just as their dog Ola Belle does for them, or my dog Harper does for me. Rebecca and Randy both took turns playing the new uke, plucking their individual styles out on the strings. I even strummed along with Randy's rendition of Freight Train. (As we all know, that's my jams)



The next morning while our hosts headed to work, Nick and I decided to explore the nearby town of Whittier, Alaska. Because we misjudged the amount of time it would take for us to drive through the timed single-lane tunnel to Whittier, through which the train also passed, we ended up just making it to Portage pass. We hiked to the Portage glacier since we missed out on hiking to the Mendenhall while in Juneau. The weather turned out to be incredible, warm and sunny, and the hike was one of the more beautiful things I have seen.







All in all it was an incredible trip. While I left Alaska minus two ukuleles and several layers of skin in multiple spots on my body, I gained so much more. With us on our trip home, we brought tons of pictures, new friendships, the coolest pair of hand-knitted socks you could ever imagine, 35 pounds of salmon, 24 Alaskan beers, 4 tasting glasses, a glow in the dark pint glass, and exceptional, lasting memories.